Jill O'Bryan Art

Jill O'Bryan Art

  • EXHIBITIONS
    • Breathing into the Moon / Drawing on the Ground, Rule Gallery, Denver
    • "Mapping Resonance", CCA Santa Fe
    • "Jill O'Bryan" [TXST] Galleries, Texas State U, San Marcos, TX
    • "Breathing into the Elements", Zane Bennett Contemporary Art, Santa Fe
    • "Breath Taking", New Mexico Museum of Art, Santa Fe
    • Jill O'Bryan: New Works, Margarete Roeder Gallery, NYC
    • "one billion breaths", Phillips Collection, Washington DC
    • "rock, paper, breath", Gallery Joe, Philadelphia
    • Uruboros Dance in "Mapping Resonance", CCA, Santa Fe
  • SITE SPECIFIC INSTALLATIONS
    • "7.8 billion of us breathing together..."
    • A Particular Kind Of Solitude, NYC
    • A Place To Which We Can Come, Brooklyn, 2012
    • "To breathe..." in Las Vegas, NM
    • Take a billion breaths
  • ARTWORK
    • Breathing into the Moon, Series III
    • Breathing into the Moon, Series II
    • Breathing into the Moon, Series I
    • Element Paintings
    • The Shape of the Sound of a Breath Drawings
    • 2020 Quarantine Drawings
    • Tonglen Breath Drawings
    • Archived Breath Drawings
    • Geometry of Breath Drawings
    • Desert Frottage
    • Desert Frottage (squares)
    • on, and just above ground
    • Metate Paintings
    • Philosopher Stones
    • Early Drawings
    • Artist Books
      • Breaths #1
      • Circles #3
      • Desert #2
  • ABOUT
    • ABOUT
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Element Painting: Sky (Blue)
2020
Watercolor on Bhutan Mitsumata Rice Paper and Found Rocks with Scorpion Carcass
62 x 110 inches

Derived from the color iconography of Tibetan Buddhist Prayer Flags, in which blue = sky, these paintings are made by applying many layers of watercolor paint over a period of several days or weeks. Returning to the most fundamental elements of the earth's being, and ours, the pigment is the prayer. The pigment gives the weight to the paintings. The shape obliquely refers to the human figure. Confronting a sense of helplessness as we watch the earth burn, a pandemic rage, hunger spread, refugees fleeing for their lives in an inhospitable world, I look to the elements as a guide.


All images copyright Jill O'Bryan

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